Tag Archives: The Third Reich

Interview with Baldur von Schirach


Third Reich Joke of the day

 


Third Reich Pilgrim Part II extract

I stood alone, in the fading afternoon light, contemplating the great home of the Prussian dramaturgy – that most significant contributor in the morphology of fanciful stories and stagecraft of universal history. The imaginations of set-designers and opera composers had transmogrified their festive costumed clowns into great tyrannous Gods of Historicism! I was beginning to wonder how much my puny individual brain could take before it overloaded and broke down completely. How could I change my thoughts, change my ideas, become new. Be a Neo-Nazi! As I am, changing everything there is in the world with my revolutionary thoughts, through magic gateways of the werewolfen Reich. I am the REICH! New Reich Awaken!

The wall of the Neue Wache was a pale screen onto which I projected my thoughts, under the darkening boughs of forlornly shaped trees, my thoughts plunged deep into the ages of man, through labyrinthine constructions and dimensions of overwhelming complexity, a single thread tied me to another realm and another I beyond this existence, I clung to it, like a dangling mountaineer on a precipice, staring down into a frightful blackened abyss below with only my own consciousness for a torch light. I had the strange feeling that no man had ventured this far into the Labyrinth and lived… Do I climb back up the rope, or do I keep going down, down into ageless, incomprehensible fathoms, untrodden by all who had come before me? I wanted to cast my crown of futility into the endless void and detach myself from the trifling shreds of decaying narratives that plastered the props and sets of this staged burlesque called Life’; the humans were Life Actors, acting in a Theatre of Life, connected via some monolithic integrated circuitry each human is now a small chip, equipped with a quartz receiver and a fused silica photomask little code-carriers of Werner von Siemens’ technologies. The electronic locomotive train itself was a product of Werner von Siemens and his Berlin Corporation. The ancestral home of the Siemens family is Goslar…


Third Reich Pilgrim Part II:

New Excerpt from upcoming Part II of Third Reich Pilgrim – Gnostalgic Ehrean.

The road winded its way up through fields of golden wheat, edged by green woods; small townships nestled in the valleys of the dark hills, the clear expanse of the sky-dome shone down on the meandering, glistening serpent-like Danube River. I followed the path of flagstone steps, under a canopy of arched sylvan boughs. A green lawn stretched out and the Architectural dignity of Walhalla revealed itself in monumental splendour. The true “Parthenon” on the Germanic “Acropolis” of Donaustauf, overlooking the Danube. The Germanishe Tektonic Walhalla is another seminal construction that preceded “Ancient Greece” (Griechenlands). It was Germany that formed the first “independent Greek State”, and Ludwig I of Bavaria, whom was the patron figurehead of Walhalla on the Danube, was the father of modern (ancient) Greece, which arises in the early 19th Century A.D.. Archaeology, as a deceitful magic trick, begins in Germany in the 1780’s. Before that time there was no such thing as Archaeology or Archaeological Artifacts, they are German inventions, cunningly devised artful deceptions, which the Germans transposed to foreign lands, denigrating their own original culture, in a form of self-immolation and self-mutilation. Their own culture they shifted to inferior lands and set up entirely fake chronologies and histories that hid the truth of their own superior and original history. So it can be clearly observed with a man’s senses that the Walhalla in Germany pre-dates the Greek Parthenon in Greece, and that the Germans are responsible for designing and constructing Greece to make it appear to be older than what it is… Ancient Greece is no older the German founded modern Greek State, of which Ludwig I (King Louis in English and French) of Bavaria, is the founding father. Ludwig I is the Crown Prince Elector of Bavaria, Count Palatine of the Rhine, the Arch-Steward of the Reich, the Duke of Berg, King of Bavaria and chief Sponsor of Romantic Hellenism! Ludwig’s son Otto was the first King of Greece. An unknown secret of his-story, is all that “Ottoman” stories from literature and art, relate to the German “Otto’s”, and the “Ottoman Empire” is an Empire belonging to one of the many Germanic King Otto’s, the designation “Ottoman” is code for “Ottonian”, which denotes “belonging to Otto”. There is no such thing as the “Middle Eastern Ottoman Empire”, that is simply a theatrical invention, the Middle East never had an Empire, nor even a true historical history, the Middle Eastern his-story was invented in Europe and transferred to the Arabs by the Europeans. The architects in Ludwig I service, Leo von Klenze and Friedrich von Gärtner designed and built Greek “Athens”. Leo von Klenze (who studied under Freidrich Gilly in Berlin and was the court Architect of Hieronymus Napoloen, the King of Westphalia) also designed and built the Walhalla Temple, the Befreiungshalle, the Bayerische Ruhmeshalle, the Munich Glyptothek, the Propyläen Tor and the Bavarian Ministry of War. It was Leo von Klenze who was the chief designer and builder of the landscape follies atop the Acropolis in Athens. He used the off-cuts and the rejected and damaged masonry from the Walhalla Temple, the building materials that could not be used in Germany because they were damaged or unusable for the Walhalla constructions specifications were carted off to Athens to be used in the construction of “ruins” to make it appear that Athens in Greece was older than Germany! Just because something is broken, does not mean it is old… But that is part of the theatrical comedy. It was an amusement to the German powers to do such a thing, seeming they had ultimate power, why not mock that power for the sense of their own amusement? If it is all a joke, why should we all not laugh at their joke. But is it funny… Does this strange sound we make when we laugh really worth the effort of all this theatrical folly, in praise of folly…Is such constant praise amusing or just tiresome antics conceived to alleviate the crushing boredom of a privileged life.?The fact is, that the Parthenon in Athens is modeled on the Walhalla near Regensburg! The Greek language was invented in the linguistic departments of German Universities. But there is a economic reason for this fakery, for these dubious “restored” ruins that the Germans have constructed in Greece, (and Rome and around the world), there is a capitalistic motivation, and that is the profitable business of selling marble and stone that is damaged and broken and is not good enough for real architectural and engineering works, the broken and damaged stones and marbles can be used for “ruins”, and therefore they can be made profitable! Also in the sculptural arts, if a marble sculpture suddenly cracked or broke, as frequently happens when working with marble, and say, for example, a nose is broken off or an arm, or some part of the sculpture is damaged, then the sculptor could sell the damaged piece to the Architectural museums who would label it as “ancient” and place it in a museum and charge the public a fee to view it, this would end up more profitable than if the statue was made and executed perfectly…No doubt the German Jews were at the coal-face of this lucrative trade in damaged goods, turning the stones that were rejected into the chief head-stones of Archaeology! Also in stone and marble quarries there is high-grade and low-grade stones and marbles, for the low-grade marble and stone blocks that are not suitable for construction of true architecture the inferior blocks can be used for “ruins”, in fact they are perfect for ruins because they are inferior and low grade, their cracks and chips and decayed forms are ideal for the romantic state of decaying ruins. There is an enormous waste in the quarrying of marble and stones, and therefore there is, correspondingly, due to economic factors, an enormous amount of fake ruins. The simple way to hide this dubious practice, and to hide its profitability, is to call the quarry waste used for building ruins – “ancient”. They are not valueless broken bits of useless stone, they are highly prized and very valuable broken bits of useful stone, simply because they can be labelled “very old”. And expert labour costs can be thus reduced, there is no need for professional stone masons and cutters, one can just used unskilled labour and dump the broken bits of quarried stone and marble anywhere, and just say the magic word – “ancient”. This has become a very profitable business for both companies, States and individuals. And indeed, a stone or marble quarry could not be profitable without this secret trade. On the occasion of the laying of the foundation stone of Walhalla, King Ludwig declared: “May Walhalla promote the strengthening and the growth of German consciousness. May all Germans, to whatever tribe they may belong, always feel that they have a common fatherland, a fatherland of which they may be proud. And may each contribute as much as he can to its glory.” (National Monuments and Nationalism in 19th Century Germany. Hans A. Pohlsander). Well, let us see the truth of how he lied, let us see what pride is here, let us be witness to the sins of the fatherland.


Solingen LuftSword

Third Reich Solingen LuftSword


I Know These Dead

Adolf Hitler der Kristos speech, Munich, 8th November, 1927.

“I know these Dead – almost all of them – personally. As they look down from the great beyond, I know that there is only one reward for their deeds and sacrifice, and that is not speeches but work, not memorials but battle. We must continue the mission…to strengthen the movement and take the word to the farthest German hamlet. We have to take our great ideas to every factory come what may…despite persecution and abuse, always keeping…the image of the new Germany, of a new Reich in our hearts – just like our kamerads dreamed of it four years ago…This is the only thanks that we can give to our dead…And the day will come when we…can build earthly memorials to our kamerads who were the first to die. And then we will inscribe the words in stone: “To the true sons of the German Volk, who died when the nation was at its lowest ebb. They died for their belief in a new, sacred German Reich.”

An epitaph for the Volksgemeinschaft…. For those who follow the true Kampfzeit…His speech here is so profoundly religious…But at the same time, so pragmatic…Ultimately it is Mysterious…His vision is of a New Reich, something entirely new, and he feels a great desire to convince others of this vision, whom he considers to be his brethren, all of Germany he considers to be his brethren, his kindred, he is thus selfless, there is no ambition, no personal want, just a selfless drive to create something that does not exist, that is the opposite of all he sees in the world, but he is convinced that this is for the benefit of all, and he sacrifices himself for this aim.  There is nothing in the fake annals of chronological fraud that can compare with this man….As it was prophesied “he ransomed his life for the many.” He says that the new Reich is in his heart, for he is a wandering poet with a dream in his heart…

I wrote in Third Reich Pilgrim that trying to understand Hitler is like wrestling with God… I am wrestling with God…I use these words because I have only these words to use, and these words feel like the charcoal ashes of an old camp-fire, like eating ashes. There were memorials built for those first heroes who died, but now they are all in ruins and abused…What one man can do, the masses of devils can very easily destroy…And betray. To Hitler, the Reich is “sacred”, it is a sacred thing, a dream and a vision, that only a few can see, but in his idealism he believes in the unity of the vision, for he is a unity, and so he cannot comprehend division. He fights against all division for his unity, yet he is in a divided world where unity cannot exist. So therefore those who believed in the unity of the sacred Reich – died. But he urges that the missions must continue nonetheless, until death. Then, even his own speech he humbly downplays as being insufficient – only work and battle are meaningful – the “Deeds of the Dead” whom he knows, personally, as if he is the Dead, he is the voice of the TotenVolk!

Photo of illustration depicting the dead of November 9th, Feldherrnhalle, Munich, from an exhibition at Wewelsburg Castle, 2016.


Songs Of The Reich

Songs Of The Reich (2nd edition) is now available, for purchase inquires please email – hermitage75@yahoo.com.au

“A pure force of silent poetical Magic and Eternal knowing from the Third Reich to the present day, appearing like a thin golden cord, stretching out over the degenerating maelstrom of this world.”

“The new Book of Psalms for the 21st Century.”

 

You image of Night, with its unutterable grief

Stretched like a shadow over the entire world,

You sign of suffering, burned as a blood stain,

On the brow of everything that will become.”

– Gerhard Schumann