Tag Archives: Building Design and Construction

Third Reich Pilgrim Part II:

New Excerpt from upcoming Part II of Third Reich Pilgrim – Gnostalgic Ehrean.

The road winded its way up through fields of golden wheat, edged by green woods; small townships nestled in the valleys of the dark hills, the clear expanse of the sky-dome shone down on the meandering, glistening serpent-like Danube River. I followed the path of flagstone steps, under a canopy of arched sylvan boughs. A green lawn stretched out and the Architectural dignity of Walhalla revealed itself in monumental splendour. The true “Parthenon” on the Germanic “Acropolis” of Donaustauf, overlooking the Danube. The Germanishe Tektonic Walhalla is another seminal construction that preceded “Ancient Greece” (Griechenlands). It was Germany that formed the first “independent Greek State”, and Ludwig I of Bavaria, whom was the patron figurehead of Walhalla on the Danube, was the father of modern (ancient) Greece, which arises in the early 19th Century A.D.. Archaeology, as a deceitful magic trick, begins in Germany in the 1780’s. Before that time there was no such thing as Archaeology or Archaeological Artifacts, they are German inventions, cunningly devised artful deceptions, which the Germans transposed to foreign lands, denigrating their own original culture, in a form of self-immolation and self-mutilation. Their own culture they shifted to inferior lands and set up entirely fake chronologies and histories that hid the truth of their own superior and original history. So it can be clearly observed with a man’s senses that the Walhalla in Germany pre-dates the Greek Parthenon in Greece, and that the Germans are responsible for designing and constructing Greece to make it appear to be older than what it is… Ancient Greece is no older the German founded modern Greek State, of which Ludwig I (King Louis in English and French) of Bavaria, is the founding father. Ludwig I is the Crown Prince Elector of Bavaria, Count Palatine of the Rhine, the Arch-Steward of the Reich, the Duke of Berg, King of Bavaria and chief Sponsor of Romantic Hellenism! Ludwig’s son Otto was the first King of Greece. An unknown secret of his-story, is all that “Ottoman” stories from literature and art, relate to the German “Otto’s”, and the “Ottoman Empire” is an Empire belonging to one of the many Germanic King Otto’s, the designation “Ottoman” is code for “Ottonian”, which denotes “belonging to Otto”. There is no such thing as the “Middle Eastern Ottoman Empire”, that is simply a theatrical invention, the Middle East never had an Empire, nor even a true historical history, the Middle Eastern his-story was invented in Europe and transferred to the Arabs by the Europeans. The architects in Ludwig I service, Leo von Klenze and Friedrich von Gärtner designed and built Greek “Athens”. Leo von Klenze (who studied under Freidrich Gilly in Berlin and was the court Architect of Hieronymus Napoloen, the King of Westphalia) also designed and built the Walhalla Temple, the Befreiungshalle, the Bayerische Ruhmeshalle, the Munich Glyptothek, the Propyläen Tor and the Bavarian Ministry of War. It was Leo von Klenze who was the chief designer and builder of the landscape follies atop the Acropolis in Athens. He used the off-cuts and the rejected and damaged masonry from the Walhalla Temple, the building materials that could not be used in Germany because they were damaged or unusable for the Walhalla constructions specifications were carted off to Athens to be used in the construction of “ruins” to make it appear that Athens in Greece was older than Germany! Just because something is broken, does not mean it is old… But that is part of the theatrical comedy. It was an amusement to the German powers to do such a thing, seeming they had ultimate power, why not mock that power for the sense of their own amusement? If it is all a joke, why should we all not laugh at their joke. But is it funny… Does this strange sound we make when we laugh really worth the effort of all this theatrical folly, in praise of folly…Is such constant praise amusing or just tiresome antics conceived to alleviate the crushing boredom of a privileged life.?The fact is, that the Parthenon in Athens is modeled on the Walhalla near Regensburg! The Greek language was invented in the linguistic departments of German Universities. But there is a economic reason for this fakery, for these dubious “restored” ruins that the Germans have constructed in Greece, (and Rome and around the world), there is a capitalistic motivation, and that is the profitable business of selling marble and stone that is damaged and broken and is not good enough for real architectural and engineering works, the broken and damaged stones and marbles can be used for “ruins”, and therefore they can be made profitable! Also in the sculptural arts, if a marble sculpture suddenly cracked or broke, as frequently happens when working with marble, and say, for example, a nose is broken off or an arm, or some part of the sculpture is damaged, then the sculptor could sell the damaged piece to the Architectural museums who would label it as “ancient” and place it in a museum and charge the public a fee to view it, this would end up more profitable than if the statue was made and executed perfectly…No doubt the German Jews were at the coal-face of this lucrative trade in damaged goods, turning the stones that were rejected into the chief head-stones of Archaeology! Also in stone and marble quarries there is high-grade and low-grade stones and marbles, for the low-grade marble and stone blocks that are not suitable for construction of true architecture the inferior blocks can be used for “ruins”, in fact they are perfect for ruins because they are inferior and low grade, their cracks and chips and decayed forms are ideal for the romantic state of decaying ruins. There is an enormous waste in the quarrying of marble and stones, and therefore there is, correspondingly, due to economic factors, an enormous amount of fake ruins. The simple way to hide this dubious practice, and to hide its profitability, is to call the quarry waste used for building ruins – “ancient”. They are not valueless broken bits of useless stone, they are highly prized and very valuable broken bits of useful stone, simply because they can be labelled “very old”. And expert labour costs can be thus reduced, there is no need for professional stone masons and cutters, one can just used unskilled labour and dump the broken bits of quarried stone and marble anywhere, and just say the magic word – “ancient”. This has become a very profitable business for both companies, States and individuals. And indeed, a stone or marble quarry could not be profitable without this secret trade. On the occasion of the laying of the foundation stone of Walhalla, King Ludwig declared: “May Walhalla promote the strengthening and the growth of German consciousness. May all Germans, to whatever tribe they may belong, always feel that they have a common fatherland, a fatherland of which they may be proud. And may each contribute as much as he can to its glory.” (National Monuments and Nationalism in 19th Century Germany. Hans A. Pohlsander). Well, let us see the truth of how he lied, let us see what pride is here, let us be witness to the sins of the fatherland.


The construction of Stone-Henge

Stone-Henge is an example of “landscape folly”, a landscape folly is an ornamental construction placed in a landscape setting. The folly has no purpose other than ornament which creates an emotional response in the beholder, to stimulate amusement beholder, to produce wonder. The characteristics are such that they are buildings rather then sculpture, a folly is not a sculptural piece, but is to appear as having some function or use as a building construction, this character is often disguised, as the folly represents a form of trickery which is given the name “mystery”. Follies are deliberately built, they are not restorations. Much planning and design goes into the design and construction of a folly and they can be constructed in very grandiose styles on very large scales. Follies appear unusual, eccentric and conspicuous in their landscape setting, they are placed in such a way as to appear unusual, eccentric and conspicuous. There is an element of fakery in their design and construction, fakery is a part of the design and construction project brief – fakery is to be involved to achieve a greater wonderment effect on the beholder, the prime example of this is what is called a “sham ruin”, which is a folly that pretends that it is an old building, but it was actually constructed just to look old; it is a sham, a ruin that is constructed as a ruin just to serve the element of the fakery brief….This is a very common practice worldwide. The commission brief for such public works as follies is described as “public amusements”. Follies began in 16th Century Germany as “Roman ruins” and have evolved from there, they are now common place and widespread and very profitable as “tourist attractions”.

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Salisbury Plain in 1950, before the erection of Stone-Henge landscape folly. Surveying and site preparations and marking out for stage one of construction.

 

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Construction begins. In the photograph one can see that the workers are primitive sun-worshippers from 3000 years ago that have been magically transported into the 1950’s, the work is overseen by ancient Druids, in modern garb. LOL.

 

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How did they build it, this ancient British mystery monument? With modern cranes, trucks and machinery. How else do you think they did it?

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The stones are not even real, and they are hollow, the construction technique is from the 1950’s and was carried out by the British Office of Public Works.

 

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The accountants had already figured that the Folly would pay for itself with 10 years, after that it would be all profit! All was needed was a ticketing booth and a cash register!

 

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Yep, that’s premix concrete, how else would the concrete footings be poured? I did not know they had denim jeans in the ancient druid days, how strange and mysterious, I feel so nostalgic and emotional responsive to it all – the Ancient Days of Yore brings a little tear to my eye, I guess that is what it means to be a Pleb.

 

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Stone Henge is owned by the British Crown and is a World Heritage Site as listed by UNESCO, so you can be 100% sure that everything they tell you is the absolute truth, they would never lie to the Plebs.

 

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Ahh so that is how it was aligned, with surveying equipment, or is the man in the photo actually an ancient Druid, far more advanced than us today, who magically transported himself into the 1950s and then dressed up in modern garb and then taught the British Office of Public Works how to construct?

 

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Witnessed by thousands of people, and yet they still believe it is ancient. Fakery and Trickery was the brief and the brief was met.

 

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Instant lichen and moss just apply several liberal coats of stale milk.

 

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What’s going on here? A plaster-cast moulding?….Ancient druids perhaps? Why are they wearing jeans and smoking pipes I ask?