Third Reich Pilgrim Part II:

New Excerpt from upcoming Part II of Third Reich Pilgrim – Gnostalgic Ehrean.

The road winded its way up through fields of golden wheat, edged by green woods; small townships nestled in the valleys of the dark hills, the clear expanse of the sky-dome shone down on the meandering, glistening serpent-like Danube River. I followed the path of flagstone steps, under a canopy of arched sylvan boughs. A green lawn stretched out and the Architectural dignity of Walhalla revealed itself in monumental splendour. The true “Parthenon” on the Germanic “Acropolis” of Donaustauf, overlooking the Danube. The Germanishe Tektonic Walhalla is another seminal construction that preceded “Ancient Greece” (Griechenlands). It was Germany that formed the first “independent Greek State”, and Ludwig I of Bavaria, whom was the patron figurehead of Walhalla on the Danube, was the father of modern (ancient) Greece, which arises in the early 19th Century A.D.. Archaeology, as a deceitful magic trick, begins in Germany in the 1780’s. Before that time there was no such thing as Archaeology or Archaeological Artifacts, they are German inventions, cunningly devised artful deceptions, which the Germans transposed to foreign lands, denigrating their own original culture, in a form of self-immolation and self-mutilation. Their own culture they shifted to inferior lands and set up entirely fake chronologies and histories that hid the truth of their own superior and original history. So it can be clearly observed with a man’s senses that the Walhalla in Germany pre-dates the Greek Parthenon in Greece, and that the Germans are responsible for designing and constructing Greece to make it appear to be older than what it is… Ancient Greece is no older the German founded modern Greek State, of which Ludwig I (King Louis in English and French) of Bavaria, is the founding father. Ludwig I is the Crown Prince Elector of Bavaria, Count Palatine of the Rhine, the Arch-Steward of the Reich, the Duke of Berg, King of Bavaria and chief Sponsor of Romantic Hellenism! Ludwig’s son Otto was the first King of Greece. An unknown secret of his-story, is all that “Ottoman” stories from literature and art, relate to the German “Otto’s”, and the “Ottoman Empire” is an Empire belonging to one of the many Germanic King Otto’s, the designation “Ottoman” is code for “Ottonian”, which denotes “belonging to Otto”. There is no such thing as the “Middle Eastern Ottoman Empire”, that is simply a theatrical invention, the Middle East never had an Empire, nor even a true historical history, the Middle Eastern his-story was invented in Europe and transferred to the Arabs by the Europeans. The architects in Ludwig I service, Leo von Klenze and Friedrich von Gärtner designed and built Greek “Athens”. Leo von Klenze (who studied under Freidrich Gilly in Berlin and was the court Architect of Hieronymus Napoloen, the King of Westphalia) also designed and built the Walhalla Temple, the Befreiungshalle, the Bayerische Ruhmeshalle, the Munich Glyptothek, the Propyläen Tor and the Bavarian Ministry of War. It was Leo von Klenze who was the chief designer and builder of the landscape follies atop the Acropolis in Athens. He used the off-cuts and the rejected and damaged masonry from the Walhalla Temple, the building materials that could not be used in Germany because they were damaged or unusable for the Walhalla constructions specifications were carted off to Athens to be used in the construction of “ruins” to make it appear that Athens in Greece was older than Germany! Just because something is broken, does not mean it is old… But that is part of the theatrical comedy. It was an amusement to the German powers to do such a thing, seeming they had ultimate power, why not mock that power for the sense of their own amusement? If it is all a joke, why should we all not laugh at their joke. But is it funny… Does this strange sound we make when we laugh really worth the effort of all this theatrical folly, in praise of folly…Is such constant praise amusing or just tiresome antics conceived to alleviate the crushing boredom of a privileged life.?The fact is, that the Parthenon in Athens is modeled on the Walhalla near Regensburg! The Greek language was invented in the linguistic departments of German Universities. But there is a economic reason for this fakery, for these dubious “restored” ruins that the Germans have constructed in Greece, (and Rome and around the world), there is a capitalistic motivation, and that is the profitable business of selling marble and stone that is damaged and broken and is not good enough for real architectural and engineering works, the broken and damaged stones and marbles can be used for “ruins”, and therefore they can be made profitable! Also in the sculptural arts, if a marble sculpture suddenly cracked or broke, as frequently happens when working with marble, and say, for example, a nose is broken off or an arm, or some part of the sculpture is damaged, then the sculptor could sell the damaged piece to the Architectural museums who would label it as “ancient” and place it in a museum and charge the public a fee to view it, this would end up more profitable than if the statue was made and executed perfectly…No doubt the German Jews were at the coal-face of this lucrative trade in damaged goods, turning the stones that were rejected into the chief head-stones of Archaeology! Also in stone and marble quarries there is high-grade and low-grade stones and marbles, for the low-grade marble and stone blocks that are not suitable for construction of true architecture the inferior blocks can be used for “ruins”, in fact they are perfect for ruins because they are inferior and low grade, their cracks and chips and decayed forms are ideal for the romantic state of decaying ruins. There is an enormous waste in the quarrying of marble and stones, and therefore there is, correspondingly, due to economic factors, an enormous amount of fake ruins. The simple way to hide this dubious practice, and to hide its profitability, is to call the quarry waste used for building ruins – “ancient”. They are not valueless broken bits of useless stone, they are highly prized and very valuable broken bits of useful stone, simply because they can be labelled “very old”. And expert labour costs can be thus reduced, there is no need for professional stone masons and cutters, one can just used unskilled labour and dump the broken bits of quarried stone and marble anywhere, and just say the magic word – “ancient”. This has become a very profitable business for both companies, States and individuals. And indeed, a stone or marble quarry could not be profitable without this secret trade. On the occasion of the laying of the foundation stone of Walhalla, King Ludwig declared: “May Walhalla promote the strengthening and the growth of German consciousness. May all Germans, to whatever tribe they may belong, always feel that they have a common fatherland, a fatherland of which they may be proud. And may each contribute as much as he can to its glory.” (National Monuments and Nationalism in 19th Century Germany. Hans A. Pohlsander). Well, let us see the truth of how he lied, let us see what pride is here, let us be witness to the sins of the fatherland.

11 responses to “Third Reich Pilgrim Part II:

  • delendaestziobot

    Third Reich Pilgrim Part II is completed, I am just doing a revision and then will do a proof read. Should be ready in a few months for printing.

  • laryensoufi

    …thus I hope to be one of those lucky ones to procure a copie from you.
    To whom it would be a great honor to read you once more & your remarkable inspirations with the « concrete » knowledge that you share !
    Even as with Part I, what a favor and privilege to have had access to such a solid literary and yes, gnostic achievement : helps keep the hurting eyes, opened, while cultivating at the same time a perfect & admirable disdain for all the LIES that have mistreated the innocent folk of yesterday & will certainly humiliate it tomorrow !
    No wonder, that the World Adversary hates you so much. But that’s all the proof I need to know your excellent worth !


  • K. von Kanwetzburg

    Congratulations, Kamerad — and thank you! I avidly await the Second Part of your Masterpiece. 20/88

  • Hosner

    The above are fine drawings of German historical figures, among them the famous Wogelweide, a Minnesanger.
    I, too, look forward to TRP’s new accomplishment, carrying his magisterial Works in the Philosophy With a Flamethrower,

  • leuchovius2014

    Yes! And just as Anatoly Fomenko shows in one of his books, there is photographic evidence that Germanic buildings in “ancient Greece” were torn down because it gave the whole secret away!

  • aufihrhelden

    From ‘Germania’:

    Let us hear again from the Zionist propaganda operation, the television drama series ‘Inspector Morse’, this time from the episode entitled ‘Who Killed Harry Field?’ One of the characters involved in an art fraud: “How do you know any of them are real?! Because you are told! It is a matter of trust!” What of the paintings hanging in the Kunsthistorisches Museum? On the sandstone relief that is ‘The Public Scales’ by Adam Kraft in the Germanisches National Museum in Nuremberg, the Third Reich Pilgrim comments that it is, ‘a narrative and a key that is of guidance and benefit.’, and here in the booklet of the Fälschermuseum in Vienna is also a narrative and a key of guidance and benefit, it being one of the most important things ever written:

    The world wants to be cheated …

    …… On January 8th, 1996, shortly after the publication of [the] Italian edition of his book The Art Forger’s Handbook, Eric Hebborn was found lying is [in] a street in Rome , his skull crushed with a blunt instrument … ……

    No doubt he knew too much …

    ‘The world wants to be cheated …’ – one of the most important things ever written in any museum. And those who do not? They are ostracized and treated with disdain.

    This museum also contains some attempted denigration of The Holy One. The ‘Hitler Diaries’. There are three pages from the ‘Hitler Diaries’ on the wall, each page from 1932, and each page ending with his signature. As though someone writing a diary would end each page with a signature. The information booklet informs that these diaries were forged by Konrad Kujau, the fraud being revealed upon their publication in 1983 and that on his release from prison, Kujau ‘became something of a minor celebrity appearing on TV as an [a] ‘forgery expert’ …’ – Yes, the fraud was ‘discovered’ but not before all the anti-Hitler publicity that would have been generated. All planned from start to finish. But Zion, have you not missed a trick here? Why not just use a blunt instrument to batter in the skulls of all those who reveal the fraud? For imagine what could have been gained from these ‘diaries’: “Last night Himmler came to me to update me on the progress of The Final Solution, specifically the details of the means and the methods being used …” – signed, Adolf Hitler.

    • delendaestziobot

      Yes, “the world wants to be cheated.”

      For example, Karl Freidrich Schinkel was the greatest Architect of all time, but it is said in the Schinkel Museum in Berlin that Schinkel learned to design from studying in Italy and England!!!

      There are so many lies in the world because this is what the world wants, it wants only lies, and so it has built up such an incredible structure of lies, that it is impossible to counter all the lies with a few simple truths…The lies are just too numerous…

  • laryensoufi

    “…I also do battle on two fronts, in two worlds, and I fight for the dead, not for the corporate dead but for the dead who live in you, the uncreated, inextinguishable Aryan Dead who live in you…”
    “…you can awaken the dead who are in you, the Kingdom of the Dead is inside you!”
    -The Ruins of Power

    They live in me & they are Myriads upon Myriads! Since before my visit to Wewelsburg & from there on I live in their death. That is why ” when the Sons of Hitler “are” born,” they will conquer the Machines of Zion.”

  • delendaestziobot

    On the Machine:

    “There is no consciousness on their behalf, they are simply not of any ontological reality or individual sensibility, they are simply robots. Mini robotic nodes operating as part of a greater synthetic organism called ‘humanity’. They cannot ultimately be held accountable for individual responsibilities when they have no individuality. I answer this for them because they cannot answer themselves… The ‘individual’ developers and innovators of these technologies are merely the conduits by which the technology manifests itself as part of the manifestation of the Machine, the human marionettes are the animated puppets of this Mechanic Entity which is revealing Itself over time to those conscious few spirits who find themselves within this great domain. One must rip the face-mask off the Machine, to find the Machine has been here from the beginning.” – TRP Part II – Gnostalgic Ehrean.

    Premonitions of this can be seen in the literature of Samuel Butler’s ‘EREHWON’ and E.M Forster’s ‘The Machine Stops’…. And then the Narrative get slightly twisted and rewoven again in movies like Star Wars, Terminator and The Matrix.

    In Aachen, Germany, I once saw a KUKA Robotic arm, in a glass coffin enclosure, and it was writing the lines of the Bible and they called it ‘Bios Bible’, it reminded me of the robotic arm in The Terminator movie, but all this robotic arm was doing was writing lines of the Bible… The Machine writes the narratives, not the humans – this is what It is saying…

    What did the Philosopher once say: “it is easily observed that without machines humans would only last about six weeks on their own in this world.”

  • laryensoufi

    Thru its “cracks” we remain invisible within the moving “unconscious” apparatus! To conquer does not mean to destroy. Saint George does not kill the Dragon: the Black Sun lives off the internal Sulfur. Mixed with Nitre & Air. He who holds the Grail Cup participates in its tremendous activity.

    With it he becomes by this acquired knowledge a member of the Dark Order, of the Noble Knights who are coming.

    …thus there is no reason to weep, we keep vigil, & our brothers in the distance close at hand see us in the dark.

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